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Reviews
"In Edgar-finalist Winspear’s
enjoyable fifth installment in her Maisie Dobbs series (after 2006’s
Messenger of Truth), the psychologist/investigator digs deep
into a village’s long-buried secrets. Maisie’s benefactor, tycoon
James Compton, wants to buy an estate in the bucolic hamlet of
Heronsdene, but is wary after a string of mysterious fires. Maisie
soon proves Compton’s suspicions correct when she encounters the
shady current landowner and a vaguely menacing band of Gypsies in
town for the seasonal harvest. The locals are also curiously
tight-lipped about Heronsdene’s wartime tragedy, when a zeppelin
raid wiped out a family. Teasing out Heronsdene’s secrets will take
all the intrepid former nurse’s psychological skills and test her
ability to navigate between the Gypsy and gorja (non-Gypsy)
worlds. Winspear vividly evokes England between the wars, when the
old order crumbles and new horizons beckoned working women like her
appealing heroine. Even if a few of the plot twists prove
predictable, this jaunt back to a bygone era is as satisfying as a
spin in Maisie’s MG."
--Publisher’s Weekly
"The Kentish village of Heronsdene
is plagued by a series of mysterious fires and burglaries.
Psychologist and investigator
Maisie Dobbs (Messenger of Truth, 2006, etc.) is hired to
find answers by a corporation that plans to buy the brickworks and a
large part of the estate owned by unpopular landowner Alfred
Sandermere. During hops picking season, the area is crowded with
Londoners, whose families have come to work there for generations
and enjoy a kind of summer vacation for the poor, and with gypsies.
The locals, disliking them all, blame the fires on accidents and the
thievery on the incomers. For some reason, however, these confident
citizens avoid a piece of unused ground, formerly the home of a
Dutch family killed in a World War I raid. Maisie, whose grandmother
was a gypsy, gets an inside track when she makes friends in their
encampment; her assistant Billy and his family are among the hops
pickers. As she visits the
villagers who politely answer her questions, often with lies, she
patiently builds a picture of the macabre secret that casts a shadow
over the area.
A painfully evocative tale of
England’s struggles with class differences and poverty between the
wars, and a clever mystery."
--Kirkus Reviews
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